henri cochin, "revue de deux mondes"
-(Boccace, d'apres ses oeuvres et les temoignages de ses contemporains)
>Dante_Virgil
_Giotto
_佩脫拉克
Boccace_佩脫拉克
>>van gogh_ gauguin
2011年8月30日 星期二
2011年8月15日 星期一
RMIT art history 1
Post impressionism
-Gauguin, the Vision after the Sermon, 1888
(avant garde) <- Challenge standard, ask (norm or accepted value),what we're thinking, make a statement, pose question
- " , Where do we come from? What are we? Where are we going? , 1897
Fauvism
-Matisse, Green Stripe,1905 (liberation of color)
<- Van Gogh, Eugene Boch, 1888
-" , The Red Room, 1908
( no clear perspective )
<- Gauguin, the Vision after the Sermon, 1888
Expressionism
*Munch, the scream, 1893
*Schiele, self- portrait pulling cheek, 1910
*Kokoschka(1886-1980), Bride of the wind, 1914
-Marc, Blue horse 1
*Kirchner, two women in the street,1914 (the Bridge 橋派, photo copy paint)
-Gauguin, the Vision after the Sermon, 1888
(avant garde) <- Challenge standard, ask (norm or accepted value),what we're thinking, make a statement, pose question
- " , Where do we come from? What are we? Where are we going? , 1897
Fauvism
-Matisse, Green Stripe,1905 (liberation of color)
<- Van Gogh, Eugene Boch, 1888
-" , The Red Room, 1908
( no clear perspective )
<- Gauguin, the Vision after the Sermon, 1888
Expressionism
*Munch, the scream, 1893
*Schiele, self- portrait pulling cheek, 1910
*Kokoschka(1886-1980), Bride of the wind, 1914
-Marc, Blue horse 1
*Kirchner, two women in the street,1914 (the Bridge 橋派, photo copy paint)
2011年8月13日 星期六
Steven Leung 13/8
Philosophy - 1/ physicality
2/ cultural significance
3/ spirituality
(from Prof. Kurt CHAN Yuk Keung)
1/physicality - Art = material manipulation
- mark
- interaction of energy and material
- gravitational
- base of all art and existing object
2/cultural significance - signs meet --﹁
- clash ---- context
- accumulate ---|
3/spirituality - ultimate goal
- sublimation
- can't make rational association between a certain indescribable feeling and specific knowledge
- an abstract between known and unknown.
- very fine link with our specific experience
photomontage - 1/ color
- 2/ architectual structure space
1/ color - color wheel
- grids
- theme
2/ architectual structure space - Consstent Prerspective
->collage software
->impression of our city
->not perfect
->tramsform, (re)mix up
<-david hockney
- Mareen Fischinger
-kobas lakas
-Serge Mendzhuyckogo
-Archigram (architecture group)
-Soo Kim (cut out)
other - Patrick Herrsser
- 新影視 # 77
HW - structure : A2/A1/bigger
- Color : A3/A2
2/ cultural significance
3/ spirituality
(from Prof. Kurt CHAN Yuk Keung)
1/physicality - Art = material manipulation
- mark
- interaction of energy and material
- gravitational
- base of all art and existing object
2/cultural significance - signs meet --﹁
- clash ---- context
- accumulate ---|
3/spirituality - ultimate goal
- sublimation
- can't make rational association between a certain indescribable feeling and specific knowledge
- an abstract between known and unknown.
- very fine link with our specific experience
photomontage - 1/ color
- 2/ architectual structure space
1/ color - color wheel
- grids
- theme
2/ architectual structure space - Consstent Prerspective
->collage software
->impression of our city
->not perfect
->tramsform, (re)mix up
<-david hockney
- Mareen Fischinger
-kobas lakas
-Serge Mendzhuyckogo
-Archigram (architecture group)
-Soo Kim (cut out)
other - Patrick Herrsser
- 新影視 # 77
HW - structure : A2/A1/bigger
- Color : A3/A2
carol ho 13/8/2011
Individual tutorial + studio Practice
-canvas ->cotton ------
->liner |
-----with Gesso (fount or back,primer)
-wood ->MDF |
->woodboards ------
-white spirit (oil) -> for cleaning brushes
-varnish last stage -> for protecting painting
-canvas ->cotton ------
->liner |
-----with Gesso (fount or back,primer)
-wood ->MDF |
->woodboards ------
-white spirit (oil) -> for cleaning brushes
-varnish last stage -> for protecting painting
2011年8月2日 星期二
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